Бруно марс и марк ронсон uptown funk

12/05/2023 15:06

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Single by Mark Ronson featuring Bruno Marsfrom the album Uptown Special B-side"Feel Right" (BB Disco Dub Mix)Released10 November 2014Recorded2014Studio .mw-parser-output .nobold{font-weight:normal}Various

Royal (Memphis, Tennessee)
Zelig Studios (London, UK)
Cherry Beach Sound (Toronto)
Armoury (Vancouver, British Columbia)
Levcon Studios (Los Angeles, California)
Daptone (Brooklyn, New York)

Genre

Funk-pop
soul
boogie
disco-pop
Minneapolis sound

Length

4:30 (album version)
3:55 (radio edit)

Label

Columbia
Sony
RCA

Songwriter(s)

Mark Ronson
Bruno Mars
Philip Lawrence
Jeff Bhasker
Nicholas Williams
Devon Gallaspy
Charles Wilson
Robert Wilson
Ronnie Wilson
Rudolph Taylor
Lonnie Simmons

Producer(s)

Mark Ronson
Jeff Bhasker
Bruno Mars

Mark Ronson singles chronology "Anywhere in the World"
(2012) "Uptown Funk"
(2014) "Daffodils"
(2015) Bruno Mars singles chronology "Young Girls"
(2013) "Uptown Funk"
(2014) "24K Magic"
(2016) Music video"Uptown Funk" on YouTube

"Uptown Funk" is a song by British record producer Mark Ronson, featuring American singer and songwriter Bruno Mars. It was released on 10 November 2014, as the lead single from Ronson's fourth studio album, Uptown Special (2015). "Uptown Funk" was written by Ronson, Mars, Jeff Bhasker, and Philip Lawrence; it was produced by the first three writers mentioned. The song began to be written during a freestyle studio session while they worked on a jam Mars and his band had been playing on tour. Copyright controversies arose after the song's release resulting in multiple lawsuits and amendments to its songwriting credits.

The song is a funk-pop, soul, boogie, disco-pop, and Minneapolis sound track. It has a spirit akin to the 1980s-era funk music. Its lyrics address fashion, self-love and "traditional masculine bravado", performed in a sing-rapping style filled with metaphors, arrogance, charisma, and fun. Upon its release, the single received generally positive reviews from critics, who praised the instrumental, style and influences of the track. Others criticized it for not being innovative as it tried to emulate 1980s funk music.

Commercially the song topped the charts of 19 countries and reached the top 10 of 15 others, making it the most successful single of Ronson and Mars to date. In the United States, "Uptown Funk" topped the Billboard Hot 100 for 14 weeks and spent seven weeks on the top of the UK Singles Chart. It was certified 11 times platinum by the Recording Industry Association of America (RIAA) and six times platinum by the British Phonographic Industry (BPI). "Uptown Funk" peaked at number one on the Canadian Hot 100, and topped the Irish Singles Chart, taking the Christmas number one spot. The song also reached the top spot on France's Syndicat National de l'Édition Phonographique (SNEP) number one in both Australia for a total of six weeks and in New Zealand for nine consecutive weeks. It also broke its own streaming record three times in the United Kingdom, while breaking the streaming record in the United States and Worldwide at that time.

Director Cameron Duddy and Mars shot the song's music video depicting Ronson, Mars and The Hooligans singing, walking and dancing in a city street. As of January 2023, the official music video for "Uptown Funk" is the ninth most viewed YouTube video of all-time, having received over 4.7 billion views. "Uptown Funk" was performed on television shows such as Saturday Night Live, The Ellen DeGeneres Show and the Super Bowl 50 halftime show. It received several awards and nominations, winning British Single of the Year at the 2015 Brit Awards, International Work of the Year at the APRA Music Awards of 2016 and Record of the Year at the 2016 Grammy Awards. The television show soundtrack of Glee, and commercials for L'Oreal's Garnier line and Skippy peanut butter, have used the song. It has been parodied several times and became a worldwide phenomenon with a major impact on pop culture.

Background

A head shot of Mark Ronson looking to his right.

Mark Ronson (pictured) is the lead artist and one of the composers of "Uptown Funk".

After producing three songs for Bruno Mars's second studio album Unorthodox Jukebox (2012), Mark Ronson said in June 2014, that he and Mars planned on working together again.[1][2] Ronson ended up working on "Uptown Funk" for seven months, recording it in various locations, in a number of grueling, stressful sessions.[3][4] Its earliest version was a jam that Mars and his band played on tour.[4][5] When Ronson joined Jeff Bhasker and Mars for a jam session at the latter's studio, he wanted to finish leftover demos from Unorthodox Jukebox, however, Mars wanted to do something different. He started playing on a drum kit in the studio, while Bhasker and Ronson played keyboard and guitar, respectively. They decided to work on the tour jam and thought it would be "cool" to fit in the Trinidad James song, "Don't believe me, just watch. Don't believe me, just watch", played during the tour's soundcheck. At this point, they found the opening line: "This hit, that ice cold/Michelle Pfeiffer, that white gold", which led them to believe they had an "exciting idea". However, both Ronson and Mars had busy schedules and could not complete the single. They spent the next several months working on the song,[3][4][5] fighting over which sections of the track would fit better. Mars was not a fan of early versions of the song.[6]

The trio recorded the song in Los Angeles, London, Memphis, New York, Toronto, and Vancouver.[3][5][7] The horn parts were recorded at Daptone Records in Brooklyn with the horn sections of The Dap-Kings, Antibalas and The Hooligans playing the final version of the track.[4][5][7] The drum section was first recorded at a studio owned by Mars in Los Angeles, and later rearranged in Memphis. The track took over 100 takes before it was finished at Ronson's studio in London.[8] There were a number of drastic changes made to the track.[4] One iteration featured a hard rock breakdown in the middle and a chorus in which Mars shouted, "Burn this motherfucker down!" At one point, the song was nearly scrapped entirely. They spent months working on a chorus, only to decide not to use it.[9] Ronson affirmed the compositions of American band Kool the Gang influenced them to only use a "horn line" as the chorus.[10] After a show on the Moonshine Jungle Tour (2013–14), American songwriter Philip Lawrence suggested using an opening bassline; however, as he did not play bass himself, Canadian recording engineer Charles Moniz asked him to sing it. The "doh" vocal bassline ended up on the album. Some of the most progressive parts of the track were done in improvised studios set up by Moniz.[11]

The stress over "Uptown Funk" was so high that Ronson passed out during one session trying to perfect the guitar part. Two days later in Toronto they figured out the guitar part when Ronson was playing it in front of The Hooligans after 82 takes.[3][5][8] Ronson explained on NPR's Fresh Air why he was so determined to make the song perfect: "When you're doing something that doesn't sound like anything else on the radio at the time, you almost need to like, iron-clad it, to make sure it gets through. You have to put these hooks in it. You've got to make sure you've got all that ear candy in it to get it through the gate."[3] The record label was hesitant to release the song under the title "Uptown Funk" suggesting the alternative "Just Watch".[12] In October 2014, Mike Mullaney, an assistant program director at CBS Radio/WBMX, listened to the song after it was sent for testing and called it "the greatest song of all time". He added, "The Ronson/Bruno tune is like JamesBrown/RickJames/TheTime jamming w/ badass brass band", describing it as "Filthy, funky" and added, "Bruno simply wails".[13] Ronson feels that the song belongs more to Mars than himself.[14]

Production and release

"Uptown Funk" was initially written by Ronson, Mars, Lawrence, and Bhasker. Since the song embodies some of "All Gold Everything" (2012), Trinidad James and Devon Gallaspy were credited as a songwriters. In May 2015, the track was re-registered as it also contains portions of "Oops Up Side Your Head" (1979). Additional writing credit was given to Charlie Wilson, Robert Wilson, Ronnie Wilson, Rudy Taylor, and Lonnie Simmons.[15] The single was produced by Ronson, Bhasker, and Mars. Ronson was in charge of the guitars, LinnDrum and programming, while the keyboards and talk box were handled by Bhasker. Mars sang the vocals and played drums. Ronson and several others engineered the song. The track was recorded at six studios. Serban Ghenea and John Hanes, who served as the mix engineer, mixed "Uptown Funk" at MixStar Studios in Virginia Beach. It was mastered by Tom Coyne at Sterling Sound, NYC.[7]

"Uptown Funk"'s release was first announced by Mark Ronson on 30 October 2014, via Twitter. The date 10 November 2014 appeared on the poster image Ronson included in the tweet.[16] Columbia Records and Sony Music Entertainment released the single on 10 November 2014 for digital download in various countries.[17][18][19] RCA Records sent the track to be added to US contemporary hit radio the following day, while Sony released it to Italian contemporary hit radio stations on 14 November 2014.[20][21] In the United Kingdom, "Uptown Funk" was released before its scheduled date, 11 January 2015, because it had been performed earlier on The X Factor as a cover by Fleur East.[22][23][24] On 8 December 2014 the song released on the UK via digital download and radio stations began adding the track to their playlists.[25][26] On 9 January 2015, a CD Single was released in Austria, Germany and Switzerland. It included the album version of "Uptown Funk", as well as the Ronson and Mystikal single, "Feel Right".[27] On 16 and 24 February 2015, the recording and one of its remixes, the BB Disco Dub Mix remixed by Benji B, were released on vinyl in the UK and the US.[28][29] An EP of four different remixes of the original version of the song was released via digital download on 13 April 2015.[30] On 29 June 2015, a remix featuring Trinidad James was made available for purchase on iTunes.[31] On 18 July 2018 the radio edition of the track was available for sale.[32]

Composition and influences

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"Uptown Funk" is a funk-pop,[33] soul,[23] boogie,[34] disco-pop,[35] Minneapolis sound track, with a light EDM influence.[36] It is composed in the key of D minor at a tempo of 115 beats per minute.[37] It has been described as a "joyous, energetic and feel-good" song.[23][38] The Guardian's music critic noted influences of Cameo, Earth, Wind Fire, Chaka Khan, New Edition, Prince, Sugarhill Gang and The Gap Band on the track.[23][39] Billboard's music critic compared the song to George Kranz's "Trommeltanz (Din Daa Daa)" (1983), Earth, Wind Fire's "Getaway" (1976), One Way's "Cutie Pie" (1982), Sugarhill Gang's "Apache" (1981), The Gap Band's "Oops Up Side Your Head" (1979) and "Early in the Morning" (1982), The Sequence's "Funk You Up" (1979), Morris Day The Time's "Cool" (1981) and "Jungle Love" (1984), as well as, Zapp's "More Bounce to the Ounce" (1980).[39] Matt James of PopMatters felt Morris Day The Time's "The Bird" (1984), Kool the Gang's "Get Down on It" (1981) and Was (Not Was)' "Walk the Dinosaur" (1987) to have influenced "Uptown Funk".[40] Various critics noticed the pastiche on "Uptown Funk", from the "electric purple texture of the synths and the loose slap of the rhythms" to the "Prince-backed 80's funkateers Morris Day The Time".[41][42][43]

Jamieson Cox of Time, Chris Molanphy of Slate and Stuart Berman of Pitchfork found the song heavily influenced by 1980s funk.[41][44][45] Neil McCormick writing for The Telegraph called it an "evocation of the kind of Eighties funk that was already ripe with nostalgia".[43] Robbie Daw of Idolator found the single closer to the "70's groove", filling "the hearts of Stax- and James Brown music fans".[46] Likewise, Rap-Up dubbed it a "70's jam", a mash-up of "the best of Morris Day The Time, James Brown, and The Jackson 5".[38] AXS's Lucas Villa compared the funk sound of the recording to George Clinton's "Atomic Dog" (1982).[47] Andy Kellman's AllMusic said the recording "aimed for early Time", but it sounded more like One Way's "Let's Talk"(1985).[48] Annie Galvin of Slant Magazine found Mars "channeling Little Richard's raspier inflections."[49] Critics noticed the influence of Cameo on the horns, Morris Day The Time on the keyboards, and "Party Train" (1983) by The Gap Band on the drums.[39] The song is performed in a more arrogant and charismatic way than previous tracks by Mars.[45][50] The lyrics have "well-placed references to Michelle Pfeiffer and Trinidad James", as the hook samples portions of James's "All Gold Everything" (2012).[39][50] On the song, Mars shows not only "soul and swagger" in the sing-rapping verses, "I'm too hot / Call the police and the fireman", but he also jokes around, "Got Chucks on / With Saint Laurent / Gotta kiss myself / I'm so pretty".[41][47][51] The lyrics make fun of "traditional masculine bravado" using "silly metaphors", "I’m too hot, hot damn / Make a dragon wanna retire man".[49]

Reception

"Uptown Funk" received positive reviews from most music critics. Nick Murray of Rolling Stone gave the song a rating of four out of five stars, praising the "George Kranz scatting and Nile Rodgers guitar riff." He noted that Mars, Ronson and The Hooligans "channel the days when brags weren't humble and disco wasn't retro."[52] Spin's Brennan Carley noticed the resemblance between Mars's sing-rapping style and Nelly's vocals. He praised the former's voice for keeping things "light and bubbly". Carley compared the bass line to something that Prince would use. He felt "Uptown Funk" would be all over the radio in a short time.[51] Danielle Janota writing for Consequence of Sound praised the single calling it the "crown jewel" of the album.[53] Lucas Villa of AXS dubbed Ronson's latest approach to Funk "his freakiest, freshest and most fun release yet".[47] Kirsten Maree of Renowned for Sound called the song "a joyous, bass-slapping little ditty that joins the likes of Olly Muirs' Wrapped Up and Pharrell Williams' Gust Of Wind in a trend of soul clad 70's throwbacks. The vocal dum-dum bass line, meets the scratchy melody of the electric guitar right off the bat, sending us hurling back in time and ready to dance."[54] PopMatters's Matt James called the track a "deftly daft, delirious and incessant, booty-shaking blast of brass 'n' bravado", finding it a standout on the album.[40] John Parker from Drowned in Sound called the recording "inescapable, a bona fide modern day mega hit".[55] Neil McCormick from The Telegraph enjoyed the track because he "liked all the records it was built out of, by James Brown, Earth Wind Fire and The Gap Band".[43] Stereogum's Tom Breihan wrote, "It's the best American #1 we’ve had in more than a year, easily, and maybe much more". However, he noticed it copied the work of Morris Day The Time and "takes these old sounds, but it presents them with energy and inventiveness and charm and balls".[42] Robbie Daw of Idolator called the single "a straight-up ass-kicker" and not a "half-hearted stab" at recreating the "70's groove". He also praised the song's lyrics like "Michelle Pfeiffer, that white gold" and "gotta kiss myself, so pretty".[46]

Jim Farber of the New York Daily News said the recording "isn't even a song", adding "[i]t's a vamp, a rush of 'hit me' rhythms of the style patented by James Brown". Farber added that the vocals have "zip", but they "lack soul, not to mention an ounce of individuality". He called "Uptown Funk" the only "lazy track" on the album.[56]

The song made the cut on several lists of best songs. In June 2015, Spin compiled a list of The 63 Best Songs of 2015 So Far with "Uptown Funk" at number 51. Andrew Unterberger wrote, the song enters "the canon of "September", "Celebration", and "I Gotta Feeling", jams to be played at every wedding from now until the end of time".[57] Stereogum called it the best pop song of 2015: "Channeling Morris Day by way of Trinidad James, Mars and Mark Ronson crafted the year's most universal hit, one that will live on for decades at all kinds of jubilant public gatherings. It flaunts its sexiness and owns its freakiness. It’s so hot that it probably sent several dozen dragons into early retirement."[58] Vulture ranked it at number 6 on its "The 10 Best Songs of 2015" list: ""Uptown Funk" will be played at every wedding reception you attend for the rest of your life, and its opening notes will fill you with neither embarrassment nor dread. By the most reliable rubric, then, "Uptown Funk" is a great pop song."[59] MTV placed it on its "Best Songs Of 2015" list: "As the year's most existential pop question goes: "Who was I before 'Uptown Funk'?" Really, can any of us actually remember a time this ubiquitous, certifiably catchy song wasn't part of our lives? Even if Mark Ronson and Bruno Mars didn't roll up to the VMAs in hair curlers, they still took home Best Male Video -- and everyone with a pulse knows why. "Uptown Funk" is not just a song. "Uptown Funk" is lightning in a bottle. That white gold."[60] On the list of the 101 best songs of 2015 compiled by Spin, Dan Weiss ranked the song at number 87 saying it emulates "Morris Day-esque funk ditty" and each one of us contributed to its success.[61] Rolling Stone ranked "Uptown Funk" at number 25 on its 100 Greatest Songs of the Century – So Far in 2018. The magazine's writers described it as a "perfect Eighties funk-pop nostalgia bomb", praising the singer's "sparkling showmanship", and dubbing it "one of a kind".[33] The Village Voice's annual year-end Pazz Jop critics' poll selected it as the 23rd best song of 2014, tied with Meghan Trainor's "All About That Bass". The same critics selected "Uptown Funk" as the eighth best track of 2015.[62] NPR included it on their list of favorite songs Of 2015. Stephen Thompson wrote, "If you're going to hear a song on the radio 15,000 times in a single summer, it might as well be this one".[63] On 26 January 2015, the song was voted number six on radio station Triple J's Hottest 100 of 2014.[64] Billboard included it on "The 50 Best Song Interpolations of the 21st Century" as it uses "All Gold Everything" (2012) by Trinidad James. Christine Werthman wrote that Mars "turned it into a jubilant call to shout from the rooftops and kick off a dance-funk break".[65]

Accolades

.mw-parser-output .hatnote{font-style:italic}.mw-parser-output div.hatnote{padding-left:1.6em;margin-bottom:0.5em}.mw-parser-output .hatnote i{font-style:normal}.mw-parser-output .hatnote link .hatnote{margin-top:-0.5em}Further information: List of awards and nominations received by Mark Ronson and List of awards and nominations received by Bruno Mars

"Uptown Funk" has received various awards and nominations following its commercial success. In 2015, the song won British Single of the Year at the Brit Awards, Best Pop at MelOn Music Awards and was one of the Top 10 Gold International Gold Songs at RTHK International Pop Poll Awards.[66][67][68] The track also won BMI Pop Song of the Year at the BMI Awards, Song of the Year at Telehit Awards and Song of the Year at Soul Train Music Awards.[69][70][71] It also received Soul Train nominations for The Ashford Simpson Songwriter's Award and Best Collaboration.[72] The single was nominated for Single of the Year and Collaboration of the Year at the 2015 American Music Awards, International Hit of the Year at the Danish GAFFA Awards and Best International Song at the Los Premios 40 Principales.[73][74][75] It was also nominated for Best Collaboration and Centric Award at the BET Awards, Best Song and Best Collaboration at the MTV Europe Music Awards and Dancefloor Filler at the NME Awards.[76][77][78]

In 2016, "Uptown Funk" received Grammy awards for Record of the Year and Best Pop Duo/Group Performance at the 58th Grammy Awards.[79] It also won International Work of the Year at the APRA Music Awards, Best Collaboration at the iHeartRadio Music Awards, while it was nominated for Song of the Year.[80][81] The song was also nominated for Top Radio Song and Top Streaming Song (Video) at the Billboard Music Awards.[82] "Uptown Funk " was inducted to the 2017 edition of the Guinness World Records for achieving the most weeks at number one on Billboard's Digital Song Sales chart.[83] In 2017, the track was one of the winners of Most Performed Songs at the ASCAP Pop Music Awards.[84] This record was later broken by "Despacito" (2017).[85] "Uptown Funk" is the fifth biggest song of all-time to have charted on the Billboard Hot 100.[86]

Controversies and lawsuits

Further information: List of songs subject to plagiarism disputes

"Uptown Funk" was the subject of several lawsuits over copyright infringement. In 2015, similarities with "Oops Up Side Your Head" (1979) by The Gap Band led them, along with keyboardist Rudolph Taylor, and producer Lonnie Simmons to be added as co-writers of "Uptown Funk" receiving 17% of the publishing royalties.[15][87] In the same year, Serbian artist Viktorija argued that "Uptown Funk" infringed on her track "Ulice mračne nisu za devojke". She decided not to sue Mars and Ronson.[88] In 2016, electro-funk band Collage sued Ronson and Mars for copying their single, "Young Girls" (1983), while The Sequence, a rap group, claimed it infringed their single "Funk You Up" (1979) and sued a year later.[89][90] In 2017, Lastrada Entertainment filed a lawsuit citing similarities with "More Bounce to the Ounce" (1980) by Zapp.[91] In 2018, the Collage and Zapp lawsuit were dropped, with no word if there was a financial settlement.[92][93] The track drew comparisons with the theme tune of The Really Wild Show,[94] a BBC children's nature program that first aired in 1986. When Ronson was asked if he heard similarities between "Uptown Funk" and the theme tune, he said, "Oh, then the horns, I understand what they're saying, yeah, we owe a little bit ... all equally influenced by Quincy Jones".[95] In 2021, Ronnie and Robert Wilson of The Gap Band filed another lawsuit due to the similarities between "Uptown Funk" and "Oops Up Side Your Head" as Ronnie Wilson and Robert Wilson's heirs "have yet to received any publishing rights income".[96]

Commercial performance

United States

The single debuted at number 65 on the Billboard Hot 100 chart on 21 November 2014 due to digital sales, making it Ronson's first entry on the Billboard Hot 100.[97] Due to the release of the official video and a performance on Saturday Night Live, it subsequently sold 110,000 digital copies. The song became the Billboard Hot 100's top Digital Gainer of the week and peaked at number 18 on 28 November 2014.[98] In its third week, the track rose to number eight on the Billboard Hot 100, after the video's first full tracking week. It became Ronson's first top 10 as an artist. It debuted on the component charts of Streaming Songs and Radio Songs at number 26 and 46, respectively.[99] On the week of 10 December 2014, "Uptown Funk" ascended to number five, with sales of 152,000 copies. It marked the eleventh top five on the Billboard Hot 100 for Mars.[100] In its fourth week, the single peaked at number three on the Billboard Hot 100, selling 170,000 copies and achieving a 49 million airplay audience, thus receiving Airplay Gainer honors.[101] The following week after The Voice performance, the recording stayed at number three for the second consecutive week. It was the biggest gainer in Digital Songs (244,000), Streaming (7.9 million), Airplay Audience (63 million), becoming the fifth song to top all three "categories". Ronson became the second lead male artist to top Digital Songs with a debut single, since Sam Smith's "Stay with Me" (2014).[102] On 31 December 2014, the track rose to number two on the Billboard Hot 100 with 432,000 copies sold, 8.8 million streams and reached the top ten on Radio Songs with a 68 million audience.[103] In its seventh week, "Uptown Funk" topped the Billboard Hot 100, with 382,000 downloads sold, 10 million U.S. streams and a 76 million airplay audience. The song is Ronson's only number-one single in the country and Mars's sixth.[104] It became one of the longest running number-one singles on the Billboard Hot 100 and the third longest-running number-one single of the 2010s decade topping the chart for 14 consecutive weeks until it was replaced by Wiz Khalifa's "See You Again" featuring Charlie Puth.[105][106][107] It topped not only the Billboard Hot 100-year-end chart, but also the Decade End Billboard Hot 100.[108][109]

In its thirteenth week at number one, "Uptown Funk" became the first song to top the Billboard Hot 100 and its three main component charts for nine non-consecutive weeks.[110] The recording spent 31 weeks in the top ten of the Billboard Hot 100 and 21 weeks on the top three of the aforementioned chart, a record previously held by Santana featuring Rob Thomas's "Smooth" (1999), with 19 weeks.[111][112] After spending 25 weeks on the Billboard Hot 100's top five, it matched the record set by LeAnn Rimes' "How Do I Live" (1997). This record was broken by The Chainsmokers "Closer" (2016) featuring Halsey which spent 26 weeks on the Billboard Hot 100's top five.[113] "Uptown Funk" sold at least 300,000 copies for eight consecutive weeks. Only "Blurred Lines" (2013) by Robin Thicke featuring Pharrell Williams and T.I. surpassed it by selling the same number ten weeks in a row.[114] "Uptown Funk" tied the record for most weeks spent at the top of the Digital Song Sales chart (13 weeks) with Flo Rida's "Low" (2007) featuring T-Pain. This record was broken two years after by Luis Fonsi and Daddy Yankee's "Despacito" featuring Justin Bieber, with 17 weeks.[115] The recording reached its highest peak on Streaming Songs with 24.5 million streams and 5.7 million on subscription-services in one week.[116] "Uptown Funk" spent 12 weeks on the top position of Streaming Songs, it was the second best run at the time, only surpassed by the thirteen weeks of Iggy Azalea featuring Charli XCX's "Fancy" (2014).[117] It spent 12 weeks at number one on the Radio Songs chart, reaching a peak of 181 million in all-format audience.[105][114] It was Ronson's first single to reach number one in the radio songs charts and the sixth for Mars.[118] "Uptown Funk" topped several component charts in the United States, such as Adult Pop Songs, Dance Club Songs, Dance/Mix Show Airplay, Pop Songs and Rhythmic Songs.[119][120][121] It topped the year-end chart Mainstream Top 40.[122] In the United States, the single sold 7.8 million downloads as of 28 September 2017.[123] It was certified eleven times platinum by the Recording Industry Association of America (RIAA) on 18 October 2016, for track-equivalent sales of 11 million units.[124]

International

On 29 November 2014, "Uptown Funk" debuted at number 63 on the Canadian Hot 100.[125] The following week it reached the top ten, in the third week entered the top five[126][127] peaking at number two in the fourth week.[128] On the issue date of 10 January 2015, the song reached number one, a position it held for fifteen consecutive weeks. It became the second longest-running number-one single on the Canadian Hot 100, behind The Black Eyed Peas' "I Gotta Feeling" (2009), which spent sixteen weeks at number one.[129][130] On the issue date of 25 April 2015, the song was replaced by Wiz Khalifa and Charlie Puth's "See You Again" (2015).[131] It was certified diamond by Music Canada (MC) for track-equivalent sales of 800,000 units.[132] It finished at number one on the Canada Hot 100.[133] In the United Kingdom, "Uptown Funk" was covered by Fleur East on The X Factor before its official release date, the cover reached number one on iTunes. This led the original version being released five weeks earlier than originally planned.[134] Nevertheless it debuted at number one on the UK Singles Chart on 14 December 2014, giving Ronson his first UK number one as a producer and artist and also giving Mars his fifth UK number one.[135][136] The following week, the song was replaced in the top spot by the X Factor winner Ben Haenow's single, "Something I Need" (2014), making it the Christmas number one.[137] It then returned to number one for a further six consecutive weeks spending seven non-consecutive weeks at number one in total, before finally being knocked off from the top on 8 February 2015 by Ellie Goulding's "Love Me Like You Do" (2015).[138]

The track was certified six times platinum by the British Phonographic Industry (BPI), for track-equivalent sales of 3,600,000 units.[139] "Uptown Funk" was the best-selling song of 2015 in the UK, with combined sales of 1.76 million during the year (total 2.25 million).[140] As of September 2017, the song had 2,723,470 combining units, making the list of best-selling singles of the 21st century in the United Kingdom as the fourth best-selling single based on paid-for sales and the second best-selling song based on combined sales.[141] It made the year-end charts in 2014 and 2015, topping the latter.[142][143] "Uptown Funk" debuted at number two on 12 December 2014, and the following week peaked at the top of the Irish Singles Chart, taking the Christmas number one spot.[144] It became the first song not released by The X Factor winner to reach this position in nine years.[145][146] It spent seven weeks at number one on the Irish Charts, before being knocked off the top by Ellie Goulding's "Love Me Like You Do" (2015).[147]

It reached the top spot on France's Syndicat National de l'Édition Phonographique (SNEP) its sixth week, 27 December 2014, spending 11 weeks in the number one position. It charted for a total of 117 weeks, never leaving it from 2014 to 2017.[148] It was certified diamond by the SNEP for sales of 250,000 copies.[149] "Uptown Funk" reached number one on both Belgium charts, Ultratop 50 Wallonia and Flanders, spending six and three weeks on the top of the respective charts.[150][151] The song was certified three times platinum by the Belgian Entertainment Association (BEA), for sales of 90,000 copies.[152] In Italy, the song was certified five times platinum, for track-equivalent sales of 250,000 units, despite only peaking at number three on the FIMI Singles Chart.[153][154] The single debuted at number 11 in Australia on 30 November 2014, jumping to number two the following week. In its third week, it topped the charts, where it stayed for a total of six weeks.[155] It is the best-selling single in Australia of all time and has been certified 22 times platinum for track-equivalent sales of 1,540,000.[156] The single made the Australian year-end charts in 2014, 2015 and 2016, peaking at number one in 2015.[157][158][159] In New Zealand, the song debuted in the top ten on 1 December 2014, at number seven. In its fourth week on the chart, it peaked at number one, staying there for nine consecutive weeks.[160] The track not only topped the year-end chart, but it was certified five times platinum by Recorded Music NZ (RMNZ) for 75,000 copies sold.[161][162] "Uptown Funk" set a record, achieved by four other songs, as it topped the Billboard Hot 100 and the Official UK Singles chart for at least seven weeks each.[163] The song is reported to earn $100,000 for the label and composers per week streaming on Spotify alone.[164] It had sold over twenty million equivalent units as of 2015.[165]

Impact

The success of "Uptown Funk" made it a worldwide phenomenon with a major impact on pop culture.[23][14] At one point, the song broke its own streaming record three times in the United Kingdom, with 2.34, 2.49 and 2.56 million streams.[55][166][167] It also broke the record for most streamed track in the United States and worldwide in one week, with 4.8 and 15 million streams, respectively.[168][169] Tom Breihan writing for Stereogum felt the recording had "transcend[ed] hit status" and become "omnipresent". It is "some sort of cultural event", that will be heard at weddings in the next couple of years.[42] Danielle Janota of Consequence of Sound believed the single had a cultural impact. It is "more than infectious: It’s instinctual", as everyone "stampedes furiously to the closest dance floor the second it comes on".[53] Matt James of PopMatters said the recording "incite[s] mass euphoric dancing wherever it is unleashed". It also demonstrates its "global domination", seeming to be "the only song on planet earth right now".[40]

In an interview with Time, Mark Ronson said the recording was being played in Morocco, Puerto Rico and Nigeria, countries his music had never reached before. He also confessed the track led to people starting to recognise him.[170] Newsweek's Jed Gottlieb explained the reason "Uptown Funk" is an immortal track is because "the song is an increasingly rare phenomenon", since dancing allows us to connect "divergent demographics". "[T]he song creates an ephemeral flash where disparate groups get along because they’ve been spiked with the same euphoria". He believed "for the next quarter-century, it will persist as a choice wedding spin."[171] NME's Barry Nicolson dubbed the single "an insta-phenomenon".[22] Jeremy Allen of BBC said that "the biggest hits of the past few years", such as Ronson's "Uptown Funk" and Daft Punk's "Get Lucky" (2013) drew inspiration from the 80s funk/soul works by Prince, Michael Jackson, Nile Rodgers and others, leading the "80s to dominates modern culture".[172] Nevertheless, when Angus Harrison of Vice asked musicologist Dr. John Burgoyne if it would be remembered in twenty years he explained that despite "the melody being sung, the hook is not" and he is unsure if it will be remembered as "the hook is that trumpet drop, whereas the words "Uptown Funk" just sort of disappear."[173]

In November 2019, Consequence of Sound compiled a list of the "Top 100 Songs of the 2010s" with "Uptown Funk" at number 77. Ali Szubiak wrote, the song became "so embedded in our cultural core that it proved inescapable". Szubiak added, "not since "Uptown Funk" has the world felt so united."[174] A month later, Rolling Stone also compiled a list of the "Top 100 Songs of the 2010s" with "Uptown Funk" at number 66. Jon Dolan affirmed the song "kick-starting a 2010s funk revival that Mars himself and Lizzo would blow wide open".[175] The staff from NME dubbed "Uptown Funk" as one of The 100 Best Songs of the 2010s, ranking at number 56, Rhian Daly classified it as "a gigantic, joy-giving earworm".[176] On the same month, Jay Cridlin writing for Tampa Bay Times compiled a list of the 50 "The best pop songs of the 2010s", placing "Uptown Funk" at the top of it. Cridlin felt the track "it is timeless, and somehow, it still sounds fresh."[177] Nerisha Penrose from Elle dubbed the track as one of the 52 Best Songs That Defined the 2010s, ranking at number 25, saying it "had the whole world smiling and dancing for weeks."[178] Stereogum complied a list of The 200 Best Songs Of The 2010s, ranking "Uptown Funk" at number 19, Margaret Farrell affirmed the record "was a monstrously successful, inescapable single, the soundtrack for 2014 and well into 2015."[179] According to Billboard, the single was one of the "Songs That Defined the Decade". Taylor Weatherby described it as "Four and a half minutes of pure fun, with hooks galore and memorable lines like "This hit, that ice cold/ Michelle Pfeiffer that white gold"."[180] In 2021, Rolling Stone placed "Uptown Funk" at number 417 on their "Top 500 Greatest Songs of All Time".[181]

Music video

Development and synopsis

The song's official music video was filmed at 20th Century Fox Studios' "New York Street" backlot in Los Angeles.[182] Mars and his frequent collaborator Cameron Duddy directed the video released on 17 November 2014.[183] In it, Ronson and Mars are wearing clothing from the late 1970s and 1980s.[183][184] Mars wears a "salmon-colored blazer" and both put on sun glasses.[185] Throughout most of the "retro" video, Ronson, Mars and The Hooligans are singing, walking and dancing in the middle of the streets. Ronson is seen mostly lingering in the background, while Mars takes the spotlight.[183][184][185] At one point, during the video, Ronson and Mars get their hair put in perm curlers at a hair salon and their shoes shined.[183][184][185] As Mars sings "Fill my cup, put some liquor in it", one of his bandmates does so. The singer also yells at his chauffeur to get the limousine as he, Ronson and the band "jive" next to it.[183][186] Towards the end of the video, Ronson, Mars, The Hooligans and Jeff Bhasker perform the song in a closed set to several people.[187]

Reception

Joe Lynch of Billboard praised the video, finding it to be as "ebullient" as the song, calling Ronson and Mars "impossibly cool".[185] Rap-Up praised the dance moves performed by Mars and The Hooligans.[184] Tom Breihan of Stereogum said, "I had no idea [Mars] had "ersatz Morris Day" in his arsenal."[186] Ryan Reed from Rolling Stone called the video "goofy".[183] The clip made the cut on several lists of best music videos of the year. Lyndsey Parker, also writing in Rolling Stone felt Ronson and Mars complement Morris Day and The Time's "funky-fresh-to-death tradition well", ranking it number six on the list of 20 videos.[188] On its list of the 20 Best Music Videos of 2014 compiled by Paste, Dacey Orr ranked the video at number 11 saying it "has all of the fun and embellishment and color and choreography to be a real classic".[189] On the Stereogum 40 Best Music Videos of 2014, Breihan placed it at number 25. He wrote, "imagine a world in which circa-1986 Jonathan Demme had directed a movie about Morris Day The Time".[190] Harriet Gibsone writing for The Guardian found the video has "super-slick, Jackson-like group choreography, glossy production and retro styling".[23] On the Stereogum 20 Best Music Videos of 2010s, Breihan placed the music video at number four.[191]

The video received multiple awards and nominations. In 2015, it was nominated for British Video of the Year at the BRIT Awards.[192] At the 2015 MTV Video Music Awards, it received nominations for Video of the Year, Best Pop Video, Best Collaboration and Best Direction and an award for Best Male Video.[193] In the same year, the UK Music Video Awards awarded it Best Pop Video-UK and it was nominated for Best Male Video at the 2015 MTV Video Music Awards Japan.[194][195] It received an award for Video of the Year and a nomination for Best Dance Performance at the 2015 Soul Train Music Awards.[71][72] The video has over 4.7 billion views on YouTube as of October 2022, making it the eighth most viewed YouTube video of all time.[187]

Live performances

Photograph of Bruno Mars and The Hooligans performing

Bruno Mars and The Hooligans performing "Uptown Funk" at the Super Bowl 50 halftime show

"Uptown Funk" was first performed live by Ronson and Mars on Saturday Night Live on 22 November 2014.[196] Mars wore shades and a salmon-colored blazer.[197] Their performance was well received by critics. Colin Joyce of Spin magazine praised Ronson's "electric guitar performance" describing it as something "that Prince ... could have been proud of". Joyce also commended the effortless singing and rapping skills of Mars.[198] The Village Voice's Hillary Hugues praised the vocals by Mars, dance moves and the "taut line between cheeky confidence and charm" that he was able to walk.[199] Iyana Robertson of Vibe complimented the "groove" of the song, as well as, the reenactment of "the retro swag" music video.[200] The track was also performed live during the North American version of The Voice final on 16 December 2014. During the show, Mars and his band, The Hooligans, performed a rehearsed choreography, while the singer wore gold rollers in his hair.[201] Critics found the use of rollers by Mars in his hair hilarious.[202][203]

Ronson and Mars performed "Uptown Funk" live on The Ellen DeGeneres Show on 13 January 2015. The performance began with Ronson demonstrating some of his DJ skills by scratching and doing hypeman work. Then Mars, dressed in a red blazer, snap back and black shades, and some of his band-mates, led the "audience through some choreography", before making their way to the stage, where Ellen also showed "her little two-step".[204][205] Chris DeVille from Stereogum characterised the performance as a "blast", while NME's Nadia Khomami dubbed it "energetic". In the same vein, Shenequa Golding from Vibe, called the show "dope".[204][205][206] In 2016, this performance earned them a nomination for a Daytime Emmy Award at the 43rd Daytime Creative Arts Emmy Awards.[207]

After Coldplay were announced as the lead performers for the Super Bowl 50 halftime show, Chris Martin asked Mars to join them, but he declined. Martin explained he wanted Mars to perform "Uptown Funk" with Beyoncé. Mars still did not think it was a good idea, but Beyoncé was receptive to the idea.[1] On 7 February 2016, the trio took the stage during the halftime show. Mark Ronson appeared handling DJ duties, while Mars and his dancers performed "Uptown Funk", wearing an all-black Versace outfit with gold chains.[208][209] During the show, Beyoncé, in a Michael Jackson-inspired outfit appeared with a set of backing dancers dressed as Black Panthers. She performed her single "Formation" (2016) in choreography before being challenged by Mars to a dance-off, while singing the track.[209][210][211] At that point Martin joined Beyoncé and Mars singing the song.[209][210] Jon Caramanica of The New York Times explained that Beyoncé and Mars brought "soul and funk" to the show, while The Guardian's Alex Needham and Caroline Framke of Vox praised Beyonce´s performance and criticised Mars and Coldplay's performance.[209][210][211] During The Late Late Show with James Corden on 13 December 2016, Mars included "Uptown Funk" on the popular segment Carpool Karaoke.[212] Mars performed the song as the closing act at the Apollo Theater alongside the majority of the 24K Magic (2016) album for his CBS prime time special titled Bruno Mars: 24K Magic Live at the Apollo, which aired on November 29, 2017.[213] On the 24K Magic World Tour (2017–18), Mars performed "Uptown Funk" as the last track of the setlist, sung as an encore.[214]

Use in other media and covers

The song was also featured in commercials for L'Oreal's Garnier line, Skippy peanut butter and the Cadillac XT4.[215][216][217] It is also featured in the films Zootopia (2016), Sonic the Hedgehog 2 (2022) and on the episode "Child Star" of the sixth season of Glee.[218][219][220]

The song has been parodied several times. Scot Pankey, a teacher at A. Maceo Smith New Tech High School in Dallas, gave his students a video project using the track. His students came up with an idea and once Pankey heard it, he wanted to join them. After seeing the video, Mars admitted he cried.[221] Mikey Bolts, who is known for his impressions and parodies, recreated the "Uptown Funk" singing in the voices of Family Guy characters. The voices of Peter Griffin and Stewie Griffin are the most prominent on the track.[222] In September 2015, YouTube channel What's The Mashup? used 100 dance scenes from various films synchronizing them to the rhythm of "Uptown Funk".[223] Later the single was mashed up with dance moves of different actors, such as Fred Astaire, Ginger Rogers and Gene Kelly in films from the Golden Age of Hollywood. The speed which the scenes are shown was unchanged.[224] The YouTube channel known as Baracksdubs created the illusion of President Barack Obama singing "Uptown Funk", using snippets of his speeches.[225]

Ronson recorded a new version of the song with six unknown musicians for YouTube at the Abbey Road Studios. Initially, the group thought they were covering the track for a documentary about Ronson.[226] On 12 February 2015, Ronson premiered the first official remix of "Uptown Funk", a radio-exclusive, during his interview on Hot 97. It includes a new intro verse by rapper Action Bronson; the final version includes a verse by rapper Bodega Bamz.[227] The song has been used by Ligue 1 club Paris Saint Germain to celebrate home goals.[228]

Track listing

Digital download[19]

"Uptown Funk" (featuring Bruno Mars) – 4:30

CD single[27]

"Uptown Funk" (featuring Bruno Mars) – 4:30 "Feel Right" (featuring Mystikal) – 3:42

12" vinyl[28]

A. "Uptown Funk" – 4:30 B. "Uptown Funk" (BB Disco Dub Mix) (Benji B Remix) – 6:19

Remixes – EP[30]

"Uptown Funk" (featuring Bruno Mars) – 4:30 "Uptown Funk" (featuring Bruno Mars) (Dave Audé Remix) – 3:57 "Uptown Funk" (featuring Bruno Mars) (Wideboys VIP Remix) – 3:16 "Uptown Funk" (featuring Bruno Mars) (Will Sparks Remix) – 4:37

Trinidad James Remix[31]

"Uptown Funk" (featuring Bruno Mars) (Trinidad James Remix) – 4:22

Personnel

Credits adapted from the liner notes of Uptown Special and Billboard.[7][15]

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Mark Ronson – songwriting, production, guitars, linn drum, programming, engineer
Jeff Bhasker – songwriting, production, keyboards, talkbox
Bruno Mars – lead vocals, songwriting, production, drums
Philip Lawrence – songwriting
Nicholas Williams – songwriting
Devon Gallaspy – songwriting
Charlie Wilson – songwriting
Robert Wilson – songwriting
Ronnie Wilson – songwriting
Rudolph Taylor – songwriting
Lonnie Simmons – songwriting
Jamareo Artis – bass
Phredley Brown – additional keyboards
David Guy – trumpet
Michael Leonhart – trumpet
Jimmy King – trumpet
Neal Sugarman – tenor saxophone
Dwayne Dagger – tenor saxophone
Ian Hendrickson-Smith – baritone saxophone
Ray Mason – trombone
Kameron Whalum – trombone
Boo Mitchell – engineer
Charles Moniz – engineer
Wayne Gordon – engineer
Josh Blair – engineer
Inaam Haq – engineer
Ken Lewis – additional engineering
Devin Nakao – additional engineering
Matthew Stevens – additional engineering
Riccardo Damian – engineer
Serban Ghenea – mixing
John Hanes – mix engineering
Tom Coyne – mastering

Charts

Weekly charts

Chart performance for "Uptown Funk" Chart (2014–2015) Peak
position Argentina (Monitor Latino)[229] 16 Australia (ARIA)[155] 1 Austria (Ö3 Austria Top 40)[230] 6 Belgium (Ultratop 50 Flanders)[151] 1 Belgium Urban (Ultratop Flanders)[231] 1 Belgium (Ultratop 50 Wallonia)[150] 1 Canada (Canadian Hot 100)[129] 1 Canada AC (Billboard)[232] 1 Canada CHR/Top 40 (Billboard)[233] 1 Canada Hot AC (Billboard)[234] 1 Colombia Anglo (National-Report)[235] 1 CIS (TopHit)[236] 6 Czech Republic (Rádio – Top 100)[237] 7 Czech Republic (Singles Digitál Top 100)[238] 2 Denmark (Tracklisten)[239] 2 Ecuador (National-Report)[240] 29 Finland (Suomen virallinen lista)[241] 5 France (SNEP)[148] 1 Germany (Official German Charts)[242] 3 Hungary (Dance Top 40)[243] 2 Hungary (Rádiós Top 40)[244] 1 Hungary (Single Top 40)[245] 1 Hungary (Stream Top 40)[246] 2 Ireland (IRMA)[247] 1 Israel (Media Forest)[248] 1 Italy (FIMI)[153] 3 Japan (Japan Hot 100)[249] 12 Lebanon (OLT20)[250] 1 Luxembourg Digital Song Sales (Billboard)[251] 1 Mexico Airplay (Billboard)[252] 1 Netherlands (Dutch Top 40)[253] 4 Netherlands (Single Top 100)[254] 2 New Zealand (Recorded Music NZ)[160] 1 Norway (VG-lista)[255] 6 Poland (Polish Airplay Top 100)[256] 7 Portugal Digital Songs Sales (Billboard)[257] 4 Russia Airplay (TopHit)[258] 16 Scotland (OCC)[259] 1 Slovakia (Rádio Top 100)[260] 33 Slovakia (Singles Digitál Top 100)[261] 2 Slovenia (SloTop50)[262] 3 South Africa (EMA)[263] 1 South Korea (Gaon)[264] 2 Spain (PROMUSICAE)[265] 1 Sweden (Sverigetopplistan)[266] 8 Switzerland (Schweizer Hitparade)[267] 2 UK Singles (OCC)[135] 1 Ukraine Airplay (TopHit)[268] 3 US Billboard Hot 100[269] 1 US Adult Contemporary (Billboard)[270] 5 US Adult Top 40 (Billboard)[119] 1 US Dance Club Songs (Billboard)[120] 1 US Dance/Mix Show Airplay (Billboard)[271] 1 US Latin Airplay (Billboard)[272] 16 US Mainstream Top 40 (Billboard)[273] 1 US RB/Hip-Hop Airplay (Billboard)[274] 5 US Rhythmic (Billboard)[275] 1 Chart (2021–2022) Peak
position Global 200 (Billboard)[276] 133

Year-end charts

2014 Year-end chart performance for "Uptown Funk" Chart (2014) Position Australia (ARIA)[157] 29 France (SNEP)[277] 66 Netherlands (Dutch Top 40)[278] 94 UK Singles (OCC)[142] 30 2015 Year-end chart performance for "Uptown Funk" Chart (2015) Position Australia (ARIA)[158] 1 Austria (Ö3 Austria Top 40)[279] 16 Belgium (Ultratop Flanders)[280] 1 Belgium (Ultratop Wallonia)[281] 3 Canada (Canadian Hot 100)[133] 1 CIS (Tophit)[282] 60 France (SNEP)[283] 3 Germany (Official German Charts)[284] 22 Hungary (Dance Top 40)[285] 4 Hungary (Rádiós Top 40)[286] 3 Hungary (Single Top 40)[287] 9 Israel (Media Forest)[288] 1 Italy (FIMI)[289] 11 Netherlands (Dutch Top 40)[290] 17 Netherlands (Single Top 100)[291] 8 New Zealand (Recorded Music NZ)[161] 1 Poland (Polish Airplay Top 100)[292] 31 Russia Airplay (Tophit)[293] 67 Slovenia (SloTop50)[294] 16 Spain (PROMUSICAE)[295] 5 Sweden (Sverigetopplistan)[296] 18 Switzerland (Schweizer Hitparade)[297] 9 Ukraine Airplay (Tophit)[298] 49 UK Singles (OCC)[143] 1 US Billboard Hot 100[108] 1 US Adult Contemporary (Billboard)[299] 6 US Adult Top 40 (Billboard)[300] 5 US Dance Club Songs (Billboard)[301] 12 US Dance/Mix Show Airplay (Billboard)[302] 3 US Mainstream Top 40 (Billboard)[122] 1 US Rhythmic (Billboard)[303] 7 2016 Year-end chart performance for "Uptown Funk" Chart (2016) Position Argentina (Monitor Latino)[304] 31 Australia (ARIA)[159] 94 France (SNEP)[305] 103 Hungary (Dance Top 40)[306] 40 Israel (Media Forest)[307] 45 Japan (Japan Hot 100)[308] 75 Spain (PROMUSICAE)[309] 99 2017 Year-end chart performance for "Uptown Funk" Chart (2017) Position Japan (Japan Hot 100)[310] 58

Decade-end charts

Decade-end chart performance for "Uptown Funk" Chart (2010–2019) Position Australia (ARIA)[311] 3 UK Singles (OCC)[312] 2 US Billboard Hot 100[109] 1

All-time charts

All-time chart performance for "Uptown Funk" Chart Position UK Singles (OCC)[313] 21 US Billboard Hot 100[86] 5 US Mainstream Top 40 (Billboard)[314] 20

Certifications

Certifications for "Uptown Funk" Region Certification Certified units/sales Australia (ARIA)[156] 22× Platinum 1,540,000

Austria (IFPI Austria)[315] Gold 15,000* Belgium (BEA)[152] 3× Platinum 60,000

Canada (Music Canada)[132] Diamond 800,000

Denmark (IFPI Danmark)[316] 3× Platinum 270,000

France (SNEP)[149] Diamond 250,000* Germany (BVMI)[317] Platinum 400,000

Italy (FIMI)[154] 5× Platinum 250,000

Japan (RIAJ)[318] Gold 100,000* Mexico (AMPROFON)[319] 2× Diamond Platinum 660,000

Netherlands (NVPI)[320] Platinum 30,000

New Zealand (RMNZ)[162] 5× Platinum 75,000* Norway (IFPI Norway)[321] 3× Platinum 30,000

Spain (PROMUSICAE)[322] 4× Platinum 160,000

Sweden (GLF)[323] Platinum 40,000

United Kingdom (BPI)[139] 6× Platinum 3,600,000

United States (RIAA)[124] 11× Platinum 11,000,000

Streaming Japan (RIAJ)[324] Gold 50,000,000

South Korea — 100,000,000[325]

* Sales figures based on certification alone.
Sales streaming figures based on certification alone.
Streaming-only figures based on certification alone.

Release history

Release dates and formats for "Uptown Funk" Region Date Format Version Label Ref. Australia 10 November 2014 Digital download Original

Columbia
Sony

[17] New Zealand Sony [18] United States [19] 11 November 2014 Contemporary hit radio Unknown RCA [20] Italy 14 November 2014 Original Sony [21] United Kingdom 8 December 2014 Digital download Columbia [25] Contemporary hit radio Unknown Unknown [26] Austria 9 January 2015 CD single Original Sony [27] Germany Switzerland United Kingdom 16 February 2015 12"

Original
Remix

Columbia [28] United States 24 February 2015 [29] 13 April 2015 Digital Download Remixes Sony [30] 29 June 2015 Trinidad James remix [31] Various 19 July 2018 Radio edit Columbia [32]

References

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Bruno Mars – Uptown Funk" (in Japanese). Recording Industry Association of Japan. Retrieved 2 June 2021. Select 2015年07月 on the drop-down menu ^ "Certificaciones" (in Spanish). Asociación Mexicana de Productores de Fonogramas y Videogramas. Retrieved 10 January 2023. Type Mark Ronson in the box under the ARTISTA column heading and Uptown Funk in the box under the TÍTULO column heading. ^ "Dutch single certifications – Mark Ronson – Uptown Funk" (in Dutch). Nederlandse Vereniging van Producenten en Importeurs van beeld- en geluidsdragers. Retrieved 22 August 2018. Enter Uptown Funk in the "Artiest of titel" box. ^ "Norwegian single certifications – Mark Ronson – Uptown Funk" (in Norwegian). IFPI Norway. Retrieved 18 February 2020. ^ "Spanish single certifications – Mark Ronson – Uptown Funk". El portal de Música. Productores de Música de España. Retrieved 2 June 2021. ^ "Veckolista Singlar, vecka 8, 2015 | Sverigetopplistan" (in Swedish). Sverigetopplistan. Retrieved 2 June 2021. 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External links

"Uptown Funk" audio on YouTube

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Mark Ronson

Discography
Awards and nominations

Studio albums

Here Comes the Fuzz (2003)
Version (2007)
Record Collection (2010)
Uptown Special (2015)
Late Night Feelings (2019)

Singles

"Ooh Wee"
"Just"
"Stop Me"
"Oh My God"
"Valerie"
"Wake Up Call (Remix)
"Bang Bang Bang"
"The Bike Song"
"Somebody to Love Me"
"Anywhere in the World"
"Uptown Funk"
"Daffodils"
"Feel Right"
"Diamonds Are Invincible"
"Nothing Breaks Like a Heart"
"Late Night Feelings"
"Find U Again"

Featured singles

"Everyday"
"Easy"

Promotional singles

"I Can't Lose"

Silk City
Watch the Sound with Mark Ronson

Bruno Mars songs

Discography
Songs recorded
Songs written

Doo-Wops Hooligans

"Grenade"
"Just the Way You Are"
"Runaway Baby"
"The Lazy Song"
"Marry You"
"Talking to the Moon"
"Liquor Store Blues"
"Count On Me"

Unorthodox Jukebox

"Young Girls"
"Locked Out of Heaven"
"Gorilla"
"Treasure"
"Moonshine"
"When I Was Your Man"

24K Magic

"24K Magic"
"Chunky"
"That's What I Like"
"Versace on the Floor"
"Finesse"

An Evening with Silk Sonic

"Leave the Door Open"
"Skate"
"Smokin out the Window"
"Love's Train"
"After Last Night"

Featured singles

"Nothin' on You"
"Billionaire"
"Lighters"
"Young, Wild Free"
"Mirror"
"Bubble Butt"
"Uptown Funk"

Other songs

"Rocketeer"
"It Will Rain"
"Wake Up in the Sky"
"Please Me"
"Blow"

Category
Template

Awards for "Uptown Funk"

Brit Award for Song of the Year1970s

"Bohemian Rhapsody" by Queen / "A Whiter Shade of Pale" by Procol Harum (1977)

1980s

"Tainted Love" by Soft Cell (1982)
"Come On Eileen" by Dexys Midnight Runners (1983)
"Karma Chameleon" by Culture Club (1984)
"Relax" by Frankie Goes to Hollywood (1985)
"Everybody Wants to Rule the World" by Tears for Fears (1986)
"West End Girls" by Pet Shop Boys (1987)
"Never Gonna Give You Up" by Rick Astley (1988)
"Perfect" by Fairground Attraction (1989)

1990s

"Another Day in Paradise" by Phil Collins (1990)
"Enjoy the Silence" by Depeche Mode (1991)
"These Are the Days of Our Lives" by Queen (1992)
"Could It Be Magic" by Take That (1993)
"Pray" by Take That (1994)
"Parklife" by Blur (1995)
"Back for Good" by Take That (1996)
"Wannabe" by Spice Girls (1997)
"Never Ever" by All Saints (1998)
"Angels" by Robbie Williams (1999)

2000s

"She's the One" by Robbie Williams (2000)
"Rock DJ" by Robbie Williams (2001)
"Don't Stop Movin'" by S Club 7 (2002)
"Just a Little" by Liberty X (2003)
"White Flag" by Dido (2004)
"Your Game" by Will Young (2005)
"Speed of Sound" by Coldplay (2006)
"Patience" by Take That (2007)
"Shine" by Take That (2008)
"The Promise" by Girls Aloud (2009)

2010s

"Beat Again" by JLS (2010)
"Pass Out" by Tinie Tempah featuring Labrinth (2011)
"What Makes You Beautiful" by One Direction (2012)
"Skyfall" by Adele (2013)
"Waiting All Night" by Rudimental featuring Ella Eyre (2014)
"Uptown Funk" by Mark Ronson featuring Bruno Mars (2015)
"Hello" by Adele (2016)
"Shout Out to My Ex" by Little Mix (2017)
"Human" by Rag'n'Bone Man (2018)
"One Kiss" by Calvin Harris and Dua Lipa (2019)

2020s

"Someone You Loved" by Lewis Capaldi (2020)
"Watermelon Sugar" by Harry Styles (2021)
"Easy on Me" by Adele (2022)
"As It Was" by Harry Styles (2023)

Grammy Award for Best Pop Duo/Group Performance2010s

"Body and Soul" – Tony Bennett and Amy Winehouse (2011)
"Somebody That I Used to Know" – Gotye featuring Kimbra (2012)
"Get Lucky" – Daft Punk featuring Pharrell Williams and Nile Rodgers (2013)
"Say Something" – A Great Big World and Christina Aguilera (2014)
"Uptown Funk" – Mark Ronson featuring Bruno Mars (2015)
"Stressed Out" – Twenty One Pilots (2016)
"Feel It Still" – Portugal. The Man (2017)
"Shallow" – Lady Gaga and Bradley Cooper (2018)
"Old Town Road" – Lil Nas X featuring Billy Ray Cyrus (2019)

2020s

"Rain on Me" – Lady Gaga and Ariana Grande (2020)
"Kiss Me More" – Doja Cat featuring SZA (2021)
"Unholy" – Sam Smith and Kim Petras (2022)

Grammy Award for Record of the Year1958−1979

"Nel Blu Dipinto Di Blu (Volare)" by Domenico Modugno (1958)
"Mack the Knife" by Bobby Darin (1959)
"Theme from A Summer Place" by Percy Faith (1960)
"Moon River" by Henry Mancini (1961)
"I Left My Heart in San Francisco" by Tony Bennett (1962)
"Days of Wine and Roses" by Henry Mancini (1963)
"The Girl from Ipanema" by Astrud Gilberto Stan Getz (1964)
"A Taste of Honey" by Herb Alpert the Tijuana Brass (1965)
"Strangers in the Night" by Frank Sinatra (1966)
"Up, Up and Away" by The 5th Dimension (Billy Davis Jr., Florence LaRue, Marilyn McCoo, Lamonte McLemore Ron Townson) (1967)
"Mrs. Robinson" by Simon Garfunkel (Art Garfunkel Paul Simon) (1968)
"Aquarius/Let the Sunshine In" by The 5th Dimension (Billy Davis Jr., Florence LaRue, Marilyn McCoo, Lamonte McLemore Ron Townson) (1969)
"Bridge over Troubled Water" by Simon Garfunkel (Art Garfunkel Paul Simon) (1970)
"It's Too Late" by Carole King (1971)
"The First Time Ever I Saw Your Face" by Roberta Flack (1972)
"Killing Me Softly with His Song" by Roberta Flack (1973)
"I Honestly Love You" by Olivia Newton-John (1974)
"Love Will Keep Us Together" by Captain Tennille (Daryl Dragon Toni Tennille) (1975)
"This Masquerade" by George Benson (1976)
"Hotel California" by Eagles (Don Felder, Glenn Frey, Don Henley, Randy Meisner Joe Walsh) (1977)
"Just the Way You Are" by Billy Joel (1978)
"What a Fool Believes" by The Doobie Brothers (Jeffrey Baxter, John Hartman, Keith Knudsen, Michael McDonald, Tiran Porter Patrick Simmons) (1979)

1980−1999

"Sailing" by Christopher Cross (1980)
"Bette Davis Eyes" by Kim Carnes (1981)
"Rosanna" by Toto (David Hungate, Bobby Kimball, Steve Lukather, David Paich, Jeff Porcaro Steve Porcaro) (1982)
"Beat It" by Michael Jackson (1983)
"What's Love Got to Do with It" by Tina Turner (1984)
"We Are the World" by USA for Africa (1985)
"Higher Love" by Steve Winwood (1986)
"Graceland" by Paul Simon (1987)
"Don't Worry, Be Happy" by Bobby McFerrin (1988)
"Wind Beneath My Wings" by Bette Midler (1989)
"Another Day in Paradise" by Phil Collins (1990)
"Unforgettable" by Natalie Cole with Nat King Cole (1991)
"Tears in Heaven" by Eric Clapton (1992)
"I Will Always Love You" by Whitney Houston (1993)
"All I Wanna Do" by Sheryl Crow (1994)
"Kiss from a Rose" by Seal (1995)
"Change the World" by Eric Clapton (1996)
"Sunny Came Home" by Shawn Colvin (1997)
"My Heart Will Go On" by Celine Dion (1998)
"Smooth" by Santana (Rodney Holmes, Tony Lindsay, Karl Perazzo, Raul Rekow, Benny Rietveld, Carlos Santana Chester Thompson) featuring Rob Thomas (1999)

2000−2019

"Beautiful Day" by U2 (Bono, Adam Clayton, The Edge Larry Mullen Jr.) (2000)
"Walk On" by U2 (Bono, Adam Clayton, The Edge Larry Mullen Jr.) (2001)
"Don't Know Why" by Norah Jones (2002)
"Clocks" by Coldplay (Guy Berryman, Jon Buckland, Will Champion, Phil Harvey Chris Martin) (2003)
"Here We Go Again" by Ray Charles Norah Jones (2004)
"Boulevard of Broken Dreams" by Green Day (Billie Joe Armstrong, Mike Dirnt Frank Edwin Wright III) (2005)
"Not Ready to Make Nice" by Dixie Chicks (Martie Maguire, Natalie Maines Emily Robison) (2006)
"Rehab" by Amy Winehouse (2007)
"Please Read the Letter" by Alison Krauss Robert Plant (2008)
"Use Somebody" by Kings of Leon (Caleb Followill, Jared Followill, Matthew Followill Nathan Followill) (2009)
"Need You Now" by Lady Antebellum (Hillary Scott, Charles Kelley Dave Haywood) (2010)
"Rolling in the Deep" by Adele (2011)
"Somebody That I Used to Know" by Gotye featuring Kimbra (2012)
"Get Lucky" by Daft Punk (Thomas Bangalter Guy-Manuel de Homem-Christo) featuring Pharrell Williams Nile Rodgers (2013)
"Stay with Me" (Darkchild version) by Sam Smith (2014)
"Uptown Funk" by Mark Ronson featuring Bruno Mars (2015)
"Hello" by Adele (2016)
"24K Magic" by Bruno Mars (2017)
"This Is America" by Childish Gambino (2019)
"Bad Guy" by Billie Eilish (2019)

2020−present

"Everything I Wanted" by Billie Eilish (2020)
"Leave the Door Open" by Silk Sonic (2021)
"About Damn Time" by Lizzo (2022)

Melon Music Award for Best Pop Song

2012: Maroon 5 — "Payphone" (feat. Wiz Khalifa)
2013: Bruno Mars — "Young Girls"
2015: Mark Ronson — "Uptown Funk" (feat. Bruno Mars)
2016: Justin Bieber — "Love Yourself"
2017: Ed Sheeran — "Shape of You"
2018: Camila Cabello — "Havana" (feat. Young Thug)
2019: Billie Eilish — "Bad Guy"
2020: Sam Smith — "To Die For"

MTV Video Music Award for Best Male Video

"China Girl" (1984)
"I'm on Fire" (1985)
"Addicted to Love" (1986)
"Sledgehammer" (1987)
"U Got the Look" (1988)
"Veronica" (1989)
"The End of the Innocence" (1990)
"Wicked Game" (1991)
"Tears in Heaven" (1992)
"Are You Gonna Go My Way" (1993)
"Mary Jane's Last Dance" (1994)
"You Don't Know How It Feels" (1995)
"Where It's At" (1996)
"Devils Haircut" (1997)
"Just the Two of Us" (1998)
"Miami" (1999)
"The Real Slim Shady" (2000)
"South Side" (2001)
"Without Me" (2002)
"Cry Me a River" (2003)
"Yeah!" (2004)
"Jesus Walks" (2005)
"You're Beautiful" (2006)
"With You" (2008)
"Live Your Life" (2009)
"Not Afraid" (2010)
"U Smile" (2011)
"Turn Up the Music" (2012)
"Locked Out of Heaven" (2013)
"Sing" (2014)
"Uptown Funk" (2015)
"This Is What You Came For" (2016)

Billboard Year-End number one singles (2000–2019)

2000: "Breathe" – Faith Hill
2001: "Hanging by a Moment" – Lifehouse
2002: "How You Remind Me" – Nickelback
2003: "In da Club" – 50 Cent
2004: "Yeah!" – Usher featuring Lil Jon and Ludacris
2005: "We Belong Together" – Mariah Carey
2006: "Bad Day" – Daniel Powter
2007: "Irreplaceable" – Beyoncé
2008: "Low" – Flo Rida featuring T-Pain
2009: "Boom Boom Pow" – The Black Eyed Peas
2010: "Tik Tok" – Kesha
2011: "Rolling in the Deep" – Adele
2012: "Somebody That I Used to Know" – Gotye featuring Kimbra
2013: "Thrift Shop" – Macklemore Ryan Lewis featuring Wanz
2014: "Happy" – Pharrell Williams
2015: "Uptown Funk" – Mark Ronson featuring Bruno Mars
2016: "Love Yourself" – Justin Bieber
2017: "Shape of You" – Ed Sheeran
2018: "God's Plan" – Drake
2019: "Old Town Road" – Lil Nas X featuring Billy Ray Cyrus

Complete list
(1946–1959)
(1960–1979)
(1980–1999)
(2000–2019)
(2020–present)

Best-selling singles by year in the United Kingdom1950s

1952: "Here in My Heart" – Al Martino
1953: "I Believe" – Frankie Laine
1954: "Secret Love" – Doris Day
1955: "Rose Marie" – Slim Whitman
1956: "I'll Be Home" – Pat Boone
1957: "Diana" – Paul Anka
1958: "Jailhouse Rock" – Elvis Presley
1959: "Living Doll" – Cliff Richard (UK)

1960s

1960: "It's Now or Never" – Elvis Presley
1961: "Wooden Heart" – Elvis Presley
1962: "I Remember You" – Frank Ifield (UK)
1963: "She Loves You" – The Beatles (UK)
1964: "Can't Buy Me Love" – The Beatles (UK)
1965: "Tears" – Ken Dodd (UK)
1966: "Green, Green Grass of Home" – Tom Jones (UK)
1967: "Release Me" – Engelbert Humperdinck (UK)
1968: "Hey Jude" – The Beatles (UK)
1969: "Sugar, Sugar" – The Archies

1970s

1970: "The Wonder of You" – Elvis Presley / "In the Summertime" – Mungo Jerry (UK)
1971: "My Sweet Lord" – George Harrison (UK)
1972: "Amazing Grace" – Royal Scots Dragoon Guards (UK)
1973: "Tie a Yellow Ribbon Round the Ole Oak Tree" – Dawn featuring Tony Orlando
1974: "Tiger Feet" – Mud (UK)
1975: "Bye Bye Baby" – Bay City Rollers (UK)
1976: "Save Your Kisses for Me" – Brotherhood of Man (UK)
1977: "Mull of Kintyre" / "Girls' School" – Wings (UK)
1978: "Rivers of Babylon" / "Brown Girl in the Ring" – Boney M.
1979: "Bright Eyes" – Art Garfunkel

1980s

1980: "Don't Stand So Close to Me" – The Police (UK)
1981: "Tainted Love" – Soft Cell (UK) / "Don't You Want Me" – The Human League (UK)
1982: "Come On Eileen" – Dexys Midnight Runners (UK)
1983: "Karma Chameleon" – Culture Club (UK)
1984: "Do They Know It's Christmas?" – Band Aid (UK)
1985: "The Power of Love" – Jennifer Rush
1986: "Don't Leave Me This Way" – The Communards (UK)
1987: "Never Gonna Give You Up" – Rick Astley (UK)
1988: "Mistletoe and Wine" – Cliff Richard (UK)
1989: "Ride on Time" – Black Box

1990s

1990: "Unchained Melody" – The Righteous Brothers
1991: "(Everything I Do) I Do It for You" – Bryan Adams
1992: "I Will Always Love You" – Whitney Houston
1993: "I'd Do Anything for Love (But I Won't Do That)" – Meat Loaf
1994: "Love Is All Around" – Wet Wet Wet (UK)
1995: "Unchained Melody" – Robson Jerome (UK)
1996: "Killing Me Softly" – Fugees
1997: "Something About the Way You Look Tonight" / "Candle in the Wind 1997" – Elton John (UK)
1998: "Believe" – Cher
1999: "...Baby One More Time" – Britney Spears

2000s

2000: "Can We Fix It?" – Bob the Builder (UK)
2001: "It Wasn't Me" – Shaggy featuring Rikrok (UK)
2002: "Anything Is Possible" / "Evergreen" – Will Young (UK)
2003: "Where Is the Love?" – Black Eyed Peas
2004: "Do They Know It's Christmas?" – Band Aid 20 (UK)
2005: "(Is This the Way to) Amarillo" – Tony Christie featuring Peter Kay (UK)
2006: "Crazy" – Gnarls Barkley
2007: "Bleeding Love" – Leona Lewis (UK)
2008: "Hallelujah" – Alexandra Burke (UK)
2009: "Poker Face" – Lady Gaga

2010s

2010: "Love the Way You Lie" – Eminem featuring Rihanna
2011: "Someone like You" – Adele (UK)
2012: "Somebody That I Used to Know" – Gotye featuring Kimbra
2013: "Blurred Lines" – Robin Thicke featuring T.I. Pharrell Williams
2014: "Happy" – Pharrell Williams
2015: "Uptown Funk" – Mark Ronson (UK) featuring Bruno Mars
2016: "One Dance" – Drake featuring Wizkid and Kyla (UK)
2017: "Shape of You" – Ed Sheeran (UK)
2018: "One Kiss" – Calvin Harris and Dua Lipa (UK)
2019: "Someone You Loved" – Lewis Capaldi (UK)

2020s

2020: "Blinding Lights" – The Weeknd
2021: "Bad Habits" – Ed Sheeran (UK)
2022: "As It Was" – Harry Styles (UK)

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Бруно марс и марк ронсон uptown funk

Background

Production and release

Composition and influences

Reception

Accolades

Controversies and lawsuits

Commercial performance

United States

International

Impact

Music video

Development and synopsis

Reception

Live performances

Use in other media and covers

Track listing

Personnel

Charts

Weekly charts

Year-end charts

Decade-end charts

All-time charts

Certifications

Release history

See also

References

External links

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